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2004.08.29 00.57 Few if any of you who may still have me on your friends lists may know that I lost a friend recently. She passed away three days after being rear-ended by a truck in freeway traffic. I feel compelled to say, somewhere, that I'll miss her smile the most, and that it's surprising how much I'm reminded of her by mundane events in life. I hadn't seen her in person for fourteen months before she died, because I moved about three thousand miles across the country, but she was still one of the more positive influences in my life over the last year or so. I miss her, and I will for some time. I miss the people we knew in common as well, the group of friends we both had, that she left behind when she left this world and that I did last year when I moved. I have another LiveJournal where quite a few people that friend-listed me know her, but this didn't feel either like something that should be made "private" or something that should be broadcast where I have high readership. On the other hand, I still haven't decided whether I'm going to delete this when I'm done. Life is too short. Live it. Love it. Realize that there are people that care about you. You might be surprised by some of the people you thought cared but really only care about themselves, and you might also be surprised by some of the people you aren't sure care that much about you that actually love you dearly. I know I've been surprised. I'm also surprised by how much I care for some of the people I know and love. Cherish your friendships and their influences in your life. Never take your loved ones for granted. Recognize their value. Remember to smile. Someone out there may love your smile and never think to mention it. I know I never did. |
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2004.07.31 13.50 jisei ichi-ban like a silent film vivid poignant memory a lingering smile |
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2004.05.28 00.41 excerpt from [working title: Messiah] for criticism (cross-posted to write_away) I'm working, very slowly, on a novel. It's science fiction with some sociopolitical intrigue woven into the plot structure. It is turning out to be somewhat cerebral fare, which is perfectly fine by me. I'm interested in opinions on the latest bit that I wrote for it, though, so I figured LJ was the place to try throwing it into the public eye. It's sort of a retrospective vignette — a flashback, of sorts — of some of the formative years of what I would call the "central character" of the tale, though she isn't the protagonist and has until this point only appeared in a couple of glimpses and been hinted at, rather than actually putting in a solid appearance in the story as yet. I'm only about three chapters into it, though, so there's plenty of time to build up to the climax, which will center around her and the protagonist. Most of the narrative is written in traditional third-person past tense, with a limited "god's-eye view" of events. As you'll see, if you check out the lj-cut, I went with present-tense for the flashback. It just seemed appropriate when I started writing it. ( Read more... ) The above is, for the moment, copyright Chad Perrin (that's me), if only because I haven't finished writing the distribution license under which I hope to eventually publish it. Music: Tom T. Hall - Sneaky Snake |
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2004.05.04 14.23 I have not yet decided whether I'll be moving, or simply duplicating, operations from here to Musings and the Muse. I do know that there is already more material there than I have here, and there will continue to be more there than here, as it is a different venue appropriate to some different writings. |
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2004.04.09 04.14 presentation of detail Something that tends to turn me off in a lot of poetry is the manner of presentation of detail. Often, a piece with fantastic imagery, evocative tone, and powerfully empathetic subject matter is ruined for me by heavy-handed, clumsy language. I end up bored, or annoyed, by something that had the potential (in my opinion at least) to be great. When a poem is written such that it is, in some way, too blatant rather than being suggestive, it does violence to the possibilities inherent in the poetic form. If, when I'm done reading a poem, I feel like you're a girlfriend that sat me down for a relationship talk, rather than feeling the way you felt when you wrote it, there's a problem. Fertheluvvagawd, don't tell me you're angry — slap me with your anger. Don't explain how my anger like the gritty winds to polish your bones, the flesh of your deception scoured away . . . but rather show me what you feel. Make me feel it too. Give me impressions I can feel and smell. Impart your vision to me directly: harried by gritty, angry winds that scour your deceptions down to their bones The essential differences are subtle and difficult to explain, but I find it plain to see when the necessary evocative language is missing. I am by no means perfect, and do not claim to know what the absolutes of poetic aesthetics are, but I do know what I like, and a pedantic recounting of your thesaurus-inspired understanding of simile isn't it. No, this isn't directed at anyone in particular. It's just a thought that crossed my mind. (cross-posted to Mood: Music: Vangelis - Bladerunner Theme |
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2004.02.24 04.05 Well, that was lame. . . . |
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2004.02.24 03.06 This LiveJournal and |
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2004.02.20 14.46 Should I start a renku community? |
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2004.02.20 02.02 senryu ichi-ban a keen blade's curved edge becomes the keener pleasure contrasted with pride |
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2004.01.29 15.33 real dialog(ue) is too rare here, or anywhere |
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